Publications
GENARO DE CARVALHO: Stroke, Brush and Weft
Santa Casa BA - Museo da Misericórdia
GENARO – STROKE, BRUSH AND WEFT
“Genaro – Traço, Pincel e Trama” is a captivating book that accompanies the exhibition of the same name, held in 2019 and promoted by Santa Casa da Bahia. This remarkable publication showcases the extraordinary talent of Genaro de Carvalho (1926-1971), an artist from Bahia who left an indelible mark on the world of Brazilian art, particularly through his pioneering work in artistic tapestry.
The book serves as a comprehensive exploration of Genaro’s artistic journey, featuring a collection of 59 meticulously selected works that showcase his distinctive style and visionary approach. Genaro’s masterful use of bold, contrasting colors is one of the defining characteristics of his art, imbuing his creations with an intense energy and vibrancy that captivates the viewer’s gaze.
As the introducer of artistic tapestry in Brazil, Genaro’s contribution to the field is of immense significance. This book provides valuable insights into his pioneering techniques, innovative use of materials, and the rich narratives embedded within his tapestries. Readers are treated to a visual feast of intricate patterns, mesmerizing textures, and the fusion of traditional and contemporary elements that define Genaro’s tapestry art.
Beyond the visual splendor, “Genaro – Traço, Pincel e Trama” delves into the artist’s life, influences, and artistic philosophy. The book offers a glimpse into the cultural context that shaped Genaro’s creative vision, shedding light on his inspirations drawn from the vibrant landscapes and rich heritage of Bahia. It explores how his artistic practice evolved, highlighting key milestones and the evolution of his signature style over time.
The publication benefits from insightful essays and commentary by art experts and scholars, providing a deeper understanding of Genaro’s artistic significance within the broader context of Brazilian art history. Readers are guided through the thematic threads that run through his body of work, the symbolism present in his tapestries, and the impact of his contributions on subsequent generations of artists.
The book’s design and production quality are commendable, with high-resolution images that vividly capture the essence of Genaro’s artworks. The layout and typography are thoughtfully curated, allowing the visuals to take center stage while providing informative captions and context for each piece.
“Genaro – Traço, Pincel e Trama” is a valuable addition to any art enthusiast’s library, offering a comprehensive and visually stunning exploration of Genaro de Carvalho’s artistic legacy. It pays homage to an artist whose innovative spirit and masterful craftsmanship have left an indelible imprint on the world of Brazilian art and the art of tapestry. This book stands as a testament to his remarkable talent, serving as a gateway for readers to delve into the captivating world of Genaro’s artistry.
Geraldo Edson de Andrade: ASPECTS OF THE BRAZILIAN TAPESTRY
Published in 1978, ‘Aspect of Brazilian Tapestry’ by Geraldo Edson de Andrade is a remarkable exploration of Brazilian art, bridging the divide between high art and popular art. With an inclusive and open-minded approach, the author presents a diverse range of artists and their works, showcasing the beautiful and varied expressions of creativity within the modernist moment.
One of the notable strengths of this book is its ability to bring together artists from different backgrounds, styles, and mediums. The author’s merit lies in his unbiased survey that values the artistic merit of each contributor, regardless of their standing within the art world. This approach invites readers to appreciate the rich tapestry of artistic expression, from established contemporaries to lesser-known artists.
Within the pages of ‘Aspect of Brazilian Tapestry’, readers encounter a wealth of artistic treasures. The work of Regina Gomide Graz represents the modernist moment, showcasing the beauty and innovation of the period. Her contributions stand side by side with the stunning fables in patchwork applied cotton by Cearense Marieta Ramos, demonstrating the richness and diversity of artistic techniques and materials employed.
The book also highlights the juxtaposition of styles and techniques. The sober abstraction and masterful craftsmanship of Nicola and Douchez are showcased, emphasizing their technical prowess and artistic vision. Alongside their works, readers discover the woolen paintings invented by Bahian artist Madalena Santos Reinbolt, which reflect her unique stitch and spontaneous approach. This inclusion of diverse artists and their distinct practices allows readers to explore the breadth of Brazilian art, encompassing both established and lesser-known creators.
‘Aspect of Brazilian Tapestry’ captures the essence of the artistic landscape of its time, offering a comprehensive glimpse into the richness and diversity of Brazilian art in 1978. The author’s thoughtful curation provides valuable insights into the artists’ backgrounds, influences, and creative processes, deepening readers’ understanding of their works.
Geraldo Edson de Andrade: ASPECTS OF THE BRAZILIAN TAPESTRY
